Differences Between Perennialism And Essentialism

theater, a way ... The tragedy, a staging of destiny? Programming

III. theater, a path : investigating the origin in contemporary theater

Coast Wajdi Mouawad : Blood promises first installment of a quadrilogy on transmission and inheritance

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The tragic hero: a reinterpretation of myth => article: Greek tragedy

"mimesis" and

"catharsis" *

*

the

catharsis
: purgation of passions

(defined by Aristotle)

Tragedy
staging of destiny?

I. The sacrifice of the tragic hero ( "tragos-ode"
):

mimesis and catharsis , from Greek tragedy to contemporary theater (the punishment of "hubris" ?).

II. Modern tragedy: rewriting and rereading of the myth III. The theater, a path: investigating the origin in contemporary theater Oedipus and the Sphinx , Ingres (1808)


"The hero denies the order that strikes and hits the divine order because it is denied. Both say their reciprocal existence in the very moment it is challenged [...] The only purification amounts to nothing deny or exclude, to accept the mystery of existence, and this order finally where we know without knowing. " Camus (About Oedipus the King
)

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Greek tragedy :




At its origin, it is a religious and civic life.

Vernant characterized by the tragedy
tension between past and present of the myth of the polis
.

Theatre of Epidaurus

p {margin-bottom: 0.21cm;} Issue Greek legends first transmitted orally by bards (poets singers), the Epic is the first form of narrative. The epic genre is found in many civilizations. Tragedy successor to the epic (p. 113) but is prior to the play.

From the epic to tragedy:

tempoetheatre.poesie.com

The epic is the ancestor of the novel and the tragedy: myth-

tempoepoesie

In the epic to the novel (p. 124):
tempoeroman.blogspot.com
The Trojan War inspired The Iliad of Homer, The Trojan then

, Euripides' tragedy . The

tragedies of Aeschylus: Prometheus Bound - Prometheus Unbound - PROMETHEE PORTE-FEU

The tragedy at its origin, is a religious and civic life. It takes place in theaters.
This religious origin and the tragic register define the kind of tragedy: the hero mixed with intrigue by the gods are powerless, suffering the fate hanging over them (Prometheus, Oedipus, Antigone, Iphigenia). Unlike a comic, the tragic hero is of noble descent and mythical. (P.. 31, Handbook of French 2nd,
Lands literary , Hatier)

The successor to the epic tragedy (p. 113), but is prior to the play.

"Lover alternaive Camenae" , Virgil

( "The Muses love the songs alternate" )

**** * The origins of the tragedy:

punishment of

Hybris or

the sacrifice of heroes

( "demigod" )

The
Dionysia

(

tragos - ode :

song of the goat ): Dionysus

or goat- emissary

In Athens in antiquity, people attending mass theatrical performances. The theater was considered not only as entertainment but also as a means of moral and civic education.

Next The Poetics of Aristotle the viewer must feel "terror" and pity "for the hero (scapegoat), have compassion but be careful not to be like him by excess: the " hubris ".

The "mimesis" (representation) promotes a process of identification for causing a disruption salutary called

the "catharsis" or purgation of the passions . The viewer has turned out to a show and learn submission to the dike divine and the polished

. The dual function of theater: a entertainment teaching? (moral, political, educational)

"instruct and delight" , depending esthetics

"classic"

?
"The theater is a force field, very small, but which still plays in the history of society and which, despite its small size, serves as a model for people's lives. "

Antoine Vitez (director) ***** A theater mirror of a society? "The tragedy is not only an art form

and is

a social institution that, through the founding of the tragic contest, the city sets up next to her political and judicial bodies. By establishing the authority of the eponymous archon, in the same urban space and using the same institutional norms played, judged by representatives Skilled various tribes, the city is theater she somehow takes as an object of representation and it is played before the public-mell ".

Jean-Pierre Vernant and Pierre Vidal-Naquet, Myth and Tragedy in Ancient Greece

"The hero denies the order that strikes and hits the divine order because it is denied. Both say their reciprocal existence in the very moment it is challenged [...] The only purification amounts to nothing deny or exclude, to accept the mystery of existence, and this order finally where we know without knowing. "

Camus (About

Oedipus the King

)

The sacrifice of the tragic hero: " mimesis "

and "catharsis"

I. The sacrifice of the tragic hero

(

"tragos-ode" the "purgation of the passions"

of Greek tragedy in the theater of Racine Jansenist (

"mimesis" and "catharsis"
: the chastisement of "hubris"
).
=> classical tragedy (p. 43)

"The spring of the tragedy and show (...) is the turnaround. Change everything

into their opposite is both the form of divine power and the recipe of the tragedy. "

Roland Barthes, On Racine
(1979)

"If he boasts, I lower it ..."

II. The modern tragedy

: rewriting and rereading of the myth
=> a challenge to classical tragedy (p. 45) III. theater, a path
: investigating the origin in contemporary theater
Coast Wajdi Mouawad : Blood promises
first installment of a quadrilogy on transmission and inheritance

***** ORPHEUS THE SONG THAT HEALS or www.tempoestyle.blogspot.com

www.tempoepoesie . blogspot.com

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