What happens and what is expected ... News of Arnaud Denis and Companions of the Chimera
Arnaud Denis sets scene
Sunday, October 31, 2010
Median Bmi Of Countries
What happens and what is expected of
Jean-Marie Besset.
In Niels role he played in the Little Theatre Montparnasse, with Virginie Pradal and Jean-Pierre Leroux
In Niels role he played in the Little Theatre Montparnasse, with Virginie Pradal and Jean-Pierre Leroux
In "What is happening and what is expected," Jean-Marie Besset us into a kind of purgatory: a firm minitériel. A commission must decide who will be the first architect to build a monument on the moon. It is good to get the moon.
They hope, give up, compete. They relate to what makes them live: Waiting. Expectation of the other, waiting for the social and professional success, waiting for death.
Rarely what is expected. "
Between ambitions exasperated the social game, betrayal in love and get back in the game, we spend much of our lives in hollow time: the moments of waiting.
"I am committed to make men and women at such moments: between two doors, two beings in situations of expectancy, provisional, therefore unbalanced. Between heaven and hell Religion has invented purgatory. "
Jean-Marie Besset
*****
"There are words which we think, necessarily" ...
impulsive
COINCIDENCE
SUSCEPTIBILITY
AMBITION
TRUNK-L'ŒIL
liberties / privacy
Words and Expressions:
"Propensity to lyricism, to the bombastic"
| | And
"Everyone is prey to baroque, is decorative, it speaks of nothing, is the ideal"
"People feel you work: it worries them. "
"With all the mysteries, I ended up feeling guilty."
"Everybody takes all evil today!"
*****
Pariscope Theatre
from 25/08/2010 to 01/11/2010
Criticism of writing
was expected that the young director Denis Arnaud finally takes a modern text. What happens then with this piece of Jean-Marie Besset. Before the beautiful evolution of writing from the author, we can say that this is an early work that already has what will make his style: a study chiseled and delicate human relations. Besset seems more attracted to the dark side, and wondered about the human soul, its wounds, its cracks ... The fact remains that all his characters are running after happiness, but strive to miss. But are they strong enough, talented, happy to see at least see it? A ministerial committee has to decide which architect will build the first monument on the moon. The moon, ultimately is what is expected of all able to do one day and never get there! We're on a playground social game of love, and obviously the game of chance. Philippe Derrien is a young architect, still dreaming of purity and got bogged down in contradictions. Adrien Melin is perfect in this role he is vulnerable, doubting that life has become. A man is a satellite around which the stars, meteors, black holes ... Strong characters who rock the world of the young man. Jean-Pierre Leroux lot of fun in this "new" job architect on the decline. Virginie Pradal put their heart and joy in this darkly role of women domineering and unscrupulous. Jonathan Max Bernard is fragile man rediscovering his childhood sweetheart and expecting more than death. Leleu is bright white in loving wife and unhappy. Arnaud Denis is rejoicing in cynical and decadent dandy. Based on a superb set design, decorations and lights Laug Edward Lawrence Beal, Arnaud Denis sign a good show. What was expected!
Marie-Céline Nivière
*****
The Learned Ladies, Molière
: Friday, October 2, 2009 - Theatre 14 -
Directed by Arnaud Denis (in the role of Trissotin)
Arnaud Denis plays the role of Trissotin
Scapinat Theatre in 2006-2007 Lucernaire
*****
A report of the meeting with Arnaud Denis Theatre of EABJM Friday, October 23, 2009: Taking notes from Peter (2of 4) Online soon a supplement to this report ...
p {margin-bottom: 0.21cm;}
Arnaud Denis
Visit the EABJM
Being an actor
" is not bored," but it "more difficult than being a violinist "
Course
Internship at the French Comedy
course with Jean-Laurent Cochet (2 years), founded his company "Chimera", studied at the Conservatoire National while he prepared his first play, The Scapin has done internships in the U.S.
Think practice is essential, almost better than the theory / courses because it is necessary to understand the public.
Finds that "it is very difficult," the border between comedy / tragedy.
Prefers to play the classics and contemporary plays
"classics is great anyway,"
" it's easier to play a piece that eludes us, we must save a piece "
-
Prefers parts" overwhelming truth and confrontation with the pace "
-
Note that most contemporary pieces that are sent him seem" null ".
-
wears dark glasses in the subway , "because" [he] likes to watch people without their knowledge "and it draws people he meets.
characters we continually enrich
"
Trissotin Why?
1) will explore the "dark [him]"
2) sth again
3) it is rarely played by young
For Arnaud Denis Trissotin is the "type Rastignac", "a dandy who takes advantage of people"
When you read / watch / play room must be found
"objectives", "engines" of each character
Mirror
: provides a "dual field" back and face, "a reflection of life," but it is tilted, the public can not see it.
Why Women Learned ?
1) We must "love what comes up"
2) worms Molière facilitate the dynamics of the conversation
3) is always modern concepts
4) Denis wanted to incorporate his master, Cochet, in one of his pieces (= Philaminte)
5) balanced distribution of roles for his company
Philaminte = John Laurent Cochet
Jean-Laurent Cochet has an interesting voice: he does not need to raise their voices to be heard (like Meryl Streep in The Devil Wears Prada
) Philaminte is a woman " male.
Directed
Did not need the "NEW" staging with period clothing, is already the new
Find the entries in stage and output stage are the parts most difficult to achieve (+ anecdote of how the actors shed their nervousness)
"the stage is a way"
anecdote: giggles on stage
16h30-18h, Friday, October 23, 2009
*****
-
Online soon complement this account Minutes ...
-
to complete your search for an aesthetic and an ethic "generational" -
in the novel group of students from the EABJM:
-
http://tempoeroman.blogspot.com
Art and the high school student in her hometown, her school, her travels
Qu 'Is that a "beautiful person"
?
What (s) success (s) for tomorrow?
behalf of what values?
A survey
"generational" on the subject's place in the history of communication and representation
Median Bmi Of Countries
What happens and what is expected ... News of Arnaud Denis and Companions of the Chimera
Arnaud Denis sets scene
Arnaud Denis sets scene
What happens and what is expected of
Jean-Marie Besset.
In Niels role he played in the Little Theatre Montparnasse, with Virginie Pradal and Jean-Pierre Leroux
In Niels role he played in the Little Theatre Montparnasse, with Virginie Pradal and Jean-Pierre Leroux
In "What is happening and what is expected," Jean-Marie Besset us into a kind of purgatory: a firm minitériel. A commission must decide who will be the first architect to build a monument on the moon. It is good to get the moon.
They hope, give up, compete. They relate to what makes them live: Waiting. Expectation of the other, waiting for the social and professional success, waiting for death.
Rarely what is expected. "
Between ambitions exasperated the social game, betrayal in love and get back in the game, we spend much of our lives in hollow time: the moments of waiting.
"I am committed to make men and women at such moments: between two doors, two beings in situations of expectancy, provisional, therefore unbalanced. Between heaven and hell Religion has invented purgatory. "
Jean-Marie Besset
*****
"There are words which we think, necessarily" ...
impulsive
COINCIDENCE
SUSCEPTIBILITY
AMBITION
TRUNK-L'ŒIL
liberties / privacy
Words and Expressions:
"Propensity to lyricism, to the bombastic"
| | And
"Everyone is prey to baroque, is decorative, it speaks of nothing, is the ideal"
"People feel you work: it worries them. "
"With all the mysteries, I ended up feeling guilty."
"Everybody takes all evil today!"
*****
Pariscope Theatre
from 25/08/2010 to 01/11/2010
Criticism of writing
was expected that the young director Denis Arnaud finally takes a modern text. What happens then with this piece of Jean-Marie Besset. Before the beautiful evolution of writing from the author, we can say that this is an early work that already has what will make his style: a study chiseled and delicate human relations. Besset seems more attracted to the dark side, and wondered about the human soul, its wounds, its cracks ... The fact remains that all his characters are running after happiness, but strive to miss. But are they strong enough, talented, happy to see at least see it? A ministerial committee has to decide which architect will build the first monument on the moon. The moon, ultimately is what is expected of all able to do one day and never get there! We're on a playground social game of love, and obviously the game of chance. Philippe Derrien is a young architect, still dreaming of purity and got bogged down in contradictions. Adrien Melin is perfect in this role he is vulnerable, doubting that life has become. A man is a satellite around which the stars, meteors, black holes ... Strong characters who rock the world of the young man. Jean-Pierre Leroux lot of fun in this "new" job architect on the decline. Virginie Pradal put their heart and joy in this darkly role of women domineering and unscrupulous. Jonathan Max Bernard is fragile man rediscovering his childhood sweetheart and expecting more than death. Leleu is bright white in loving wife and unhappy. Arnaud Denis is rejoicing in cynical and decadent dandy. Based on a superb set design, decorations and lights Laug Edward Lawrence Beal, Arnaud Denis sign a good show. What was expected!
Marie-Céline Nivière
*****
The Learned Ladies, Molière
: Friday, October 2, 2009 - Theatre 14 -
Directed by Arnaud Denis (in the role of Trissotin)
Arnaud Denis plays the role of Trissotin
Scapinat Theatre in 2006-2007 Lucernaire
*****
A report of the meeting with Arnaud Denis Theatre of EABJM Friday, October 23, 2009: Taking notes from Peter (2of 4) Online soon a supplement to this report ...
p {margin-bottom: 0.21cm;}
Arnaud Denis
Visit the EABJM
Being an actor
" is not bored," but it "more difficult than being a violinist "
Course
Internship at the French Comedy
course with Jean-Laurent Cochet (2 years), founded his company "Chimera", studied at the Conservatoire National while he prepared his first play, The Scapin has done internships in the U.S.
Think practice is essential, almost better than the theory / courses because it is necessary to understand the public.
Finds that "it is very difficult," the border between comedy / tragedy.
Prefers to play the classics and contemporary plays
"classics is great anyway,"
" it's easier to play a piece that eludes us, we must save a piece "
-
Prefers parts" overwhelming truth and confrontation with the pace "
-
Note that most contemporary pieces that are sent him seem" null ".
-
wears dark glasses in the subway , "because" [he] likes to watch people without their knowledge "and it draws people he meets.
characters we continually enrich
"
Trissotin Why?
1) will explore the "dark [him]"
2) sth again
3) it is rarely played by young
For Arnaud Denis Trissotin is the "type Rastignac", "a dandy who takes advantage of people"
When you read / watch / play room must be found
"objectives", "engines" of each character
Mirror
: provides a "dual field" back and face, "a reflection of life," but it is tilted, the public can not see it.
Why Women Learned ?
1) We must "love what comes up"
2) worms Molière facilitate the dynamics of the conversation
3) is always modern concepts
4) Denis wanted to incorporate his master, Cochet, in one of his pieces (= Philaminte)
5) balanced distribution of roles for his company
Philaminte = John Laurent Cochet
Jean-Laurent Cochet has an interesting voice: he does not need to raise their voices to be heard (like Meryl Streep in The Devil Wears Prada
) Philaminte is a woman " male.
Directed
Did not need the "NEW" staging with period clothing, is already the new
Find the entries in stage and output stage are the parts most difficult to achieve (+ anecdote of how the actors shed their nervousness)
"the stage is a way"
anecdote: giggles on stage
16h30-18h, Friday, October 23, 2009
*****
-
Online soon complement this account Minutes ...
-
to complete your search for an aesthetic and an ethic "generational" -
in the novel group of students from the EABJM:
-
http://tempoeroman.blogspot.com
Art and the high school student in her hometown, her school, her travels
Qu 'Is that a "beautiful person"
?
What (s) success (s) for tomorrow?
behalf of what values?
A survey
"generational" on the subject's place in the history of communication and representation
Median Bmi Of Countries
What happens and what is expected ... News of Arnaud Denis and Companions of the Chimera
Arnaud Denis sets scene
Arnaud Denis sets scene
What happens and what is expected of
Jean-Marie Besset.
In Niels role he played in the Little Theatre Montparnasse, with Virginie Pradal and Jean-Pierre Leroux
In Niels role he played in the Little Theatre Montparnasse, with Virginie Pradal and Jean-Pierre Leroux
In "What is happening and what is expected," Jean-Marie Besset us into a kind of purgatory: a firm minitériel. A commission must decide who will be the first architect to build a monument on the moon. It is good to get the moon.
They hope, give up, compete. They relate to what makes them live: Waiting. Expectation of the other, waiting for the social and professional success, waiting for death.
Rarely what is expected. "
Between ambitions exasperated the social game, betrayal in love and get back in the game, we spend much of our lives in hollow time: the moments of waiting.
"I am committed to make men and women at such moments: between two doors, two beings in situations of expectancy, provisional, therefore unbalanced. Between heaven and hell Religion has invented purgatory. "
Jean-Marie Besset
*****
"There are words which we think, necessarily" ...
impulsive
COINCIDENCE
SUSCEPTIBILITY
AMBITION
TRUNK-L'ŒIL
liberties / privacy
Words and Expressions:
"Propensity to lyricism, to the bombastic"
| | And
"Everyone is prey to baroque, is decorative, it speaks of nothing, is the ideal"
"People feel you work: it worries them. "
"With all the mysteries, I ended up feeling guilty."
"Everybody takes all evil today!"
*****
Pariscope Theatre
from 25/08/2010 to 01/11/2010
Criticism of writing
was expected that the young director Denis Arnaud finally takes a modern text. What happens then with this piece of Jean-Marie Besset. Before the beautiful evolution of writing from the author, we can say that this is an early work that already has what will make his style: a study chiseled and delicate human relations. Besset seems more attracted to the dark side, and wondered about the human soul, its wounds, its cracks ... The fact remains that all his characters are running after happiness, but strive to miss. But are they strong enough, talented, happy to see at least see it? A ministerial committee has to decide which architect will build the first monument on the moon. The moon, ultimately is what is expected of all able to do one day and never get there! We're on a playground social game of love, and obviously the game of chance. Philippe Derrien is a young architect, still dreaming of purity and got bogged down in contradictions. Adrien Melin is perfect in this role he is vulnerable, doubting that life has become. A man is a satellite around which the stars, meteors, black holes ... Strong characters who rock the world of the young man. Jean-Pierre Leroux lot of fun in this "new" job architect on the decline. Virginie Pradal put their heart and joy in this darkly role of women domineering and unscrupulous. Jonathan Max Bernard is fragile man rediscovering his childhood sweetheart and expecting more than death. Leleu is bright white in loving wife and unhappy. Arnaud Denis is rejoicing in cynical and decadent dandy. Based on a superb set design, decorations and lights Laug Edward Lawrence Beal, Arnaud Denis sign a good show. What was expected!
Marie-Céline Nivière
*****
The Learned Ladies, Molière
: Friday, October 2, 2009 - Theatre 14 -
Directed by Arnaud Denis (in the role of Trissotin)
Arnaud Denis plays the role of Trissotin
Scapinat Theatre in 2006-2007 Lucernaire
*****
A report of the meeting with Arnaud Denis Theatre of EABJM Friday, October 23, 2009: Taking notes from Peter (2of 4) Online soon a supplement to this report ...
p {margin-bottom: 0.21cm;}
Arnaud Denis
Visit the EABJM
Being an actor
" is not bored," but it "more difficult than being a violinist "
Course
Internship at the French Comedy
course with Jean-Laurent Cochet (2 years), founded his company "Chimera", studied at the Conservatoire National while he prepared his first play, The Scapin has done internships in the U.S.
Think practice is essential, almost better than the theory / courses because it is necessary to understand the public.
Finds that "it is very difficult," the border between comedy / tragedy.
Prefers to play the classics and contemporary plays
"classics is great anyway,"
" it's easier to play a piece that eludes us, we must save a piece "
-
Prefers parts" overwhelming truth and confrontation with the pace "
-
Note that most contemporary pieces that are sent him seem" null ".
-
wears dark glasses in the subway , "because" [he] likes to watch people without their knowledge "and it draws people he meets.
characters we continually enrich
"
Trissotin Why?
1) will explore the "dark [him]"
2) sth again
3) it is rarely played by young
For Arnaud Denis Trissotin is the "type Rastignac", "a dandy who takes advantage of people"
When you read / watch / play room must be found
"objectives", "engines" of each character
Mirror
: provides a "dual field" back and face, "a reflection of life," but it is tilted, the public can not see it.
Why Women Learned ?
1) We must "love what comes up"
2) worms Molière facilitate the dynamics of the conversation
3) is always modern concepts
4) Denis wanted to incorporate his master, Cochet, in one of his pieces (= Philaminte)
5) balanced distribution of roles for his company
Philaminte = John Laurent Cochet
Jean-Laurent Cochet has an interesting voice: he does not need to raise their voices to be heard (like Meryl Streep in The Devil Wears Prada
) Philaminte is a woman " male.
Directed
Did not need the "NEW" staging with period clothing, is already the new
Find the entries in stage and output stage are the parts most difficult to achieve (+ anecdote of how the actors shed their nervousness)
"the stage is a way"
anecdote: giggles on stage
16h30-18h, Friday, October 23, 2009
*****
-
Online soon complement this account Minutes ...
-
to complete your search for an aesthetic and an ethic "generational" -
in the novel group of students from the EABJM:
-
http://tempoeroman.blogspot.com
Art and the high school student in her hometown, her school, her travels
Qu 'Is that a "beautiful person"
?
What (s) success (s) for tomorrow?
behalf of what values?
A survey
"generational" on the subject's place in the history of communication and representation
Can A Pessary Be Used For Anul Thrush?
November 2010: re-entry program in the first option Theater => THE COMEDY
C ow 's
hubris
The comedies of Molière, a "force field" of twists and turns ...
"The Contemplator"
BE PUBLISHED or?
TRUE-FALSE? ART-FIREWORKS?
www.tempoedialectique.blogspot.com
www.tempoedialectique.blogspot.com
C ow 's
hubris
occurs does in the comedies of Molière? 
or
Forced marriages: the education of fathers and mothers
The changing relationship of dominant-dominated relation to the theater of the seventeenth century
in the eighteenth century
"I am the master, I mean Go, obey "
, in the eighteenth century
"I am the master, I mean Go, obey "
Molière, The School for Wives
" Castigat
ridendo mores "
1664 - the first 3 acts of Tartuffe
1665
1666 - The Misanthrope or splenetic love 1668 - Amphitryon; The Miser or school of lying
(comedy in five acts and in prose)
1669 Tartuffe
1669 - The Bourgeois Gentleman
1671 - The Scapin (stuffing with Italian)
1672 - The Learned Ladies
1673 - The Imaginary Invalid
"Castigat laughing mores"
(de devise à la Molière empruntée Commedia dell'arte )
I. The
"comic"
de Molière:
Les canevas et les personnages de la
"Comedy of A rte"
:
Games masking, dodging and Confrontation: deceit servants of comedies on the model of Harlequin ...
From comic farce to comedy of situation and character in the high comedy of manners and character of Molière:
Saganarelle of La Fleche and Scapin ... Dorine Martine ... How dominant-dominated relationship evolves does in the comedies of Molière?
Dorante ... Valere ... Trissotin ...
to
... Tartuffe ...
and ... Don Juan ...
?
II - The development of relations masters-servants the seventeenth to the eighteenth century:
seventeenth century: the report
-dominated dominating in the comedies of Molière
Dorine Tartuffe, Orgon in
Sganarelle Dom Juan Dom Juan in
Philaminte-Martine in The Learned Ladies
Scrooge-The Arrow (Valere, Master Jacques) in The Miser
Scapin-Geronte in The Scapin
Harlequin and his master's in theater of Marivaux Figaro and Count Almaviva in Beaumarchais's trilogy
Jacques the fatalist and his master , Diderot
Molière Comedies:
The Miser: I, 3 (cf. The Aulularia Plautus) Dom Juan
: II, 3The Learned Ladies
: comedy of manners in five acts and Alexandrian (especially on girls' education)I, 1 (Part 1: v.1 to 72, Part 2: until the end), I, 2 (v. 181: "You my triumph sister " at the end), I, 4; II, 3, II, 6 (Part 1: Start to 457: " Pis "
, 2nd part: in v. 458:" How the deuce, hussy " at the end);), II, 7 (from the beginning to 561: "But you made you into some strange behavior" ), III, 3 (c. 969 to the end, or v. 898: " Have you seen a little sonnet ...? "
)
The Misanthrope
:
I, 1; I, 2 (from about 376:
"Frankly, it's good to put the firm"
"To paint the people you are wonderful" , III, 1, III, 4 (cuts possible: to 893-904), IV, 3 (from about 1332: "Why disallow a ticket in my hand? "; possible cuts: c. 1381-1384, 1401-1409); last scene (Time: " Solitude terrifies the soul of a twenty years'
)
Molière, "The Contemplator"
INVENTION
"I am the master, I mean: go, obey" (Corneille, Sertorius , and Molière, L'Ecole women).
Imagine two theater stages, one comic and one tragic, which appear in this replica."Out of here just now, and we do not reply!"
"Change the outcome of most of the comedies of Molière and they become tragedies . " What do you think?
FILE: Sheet
authorSummary and dramatic pattern Sheet: comedy (slapstick farce : words, gestures , situation, character) Pages and anthology citations Analysis comedy catharsis and mimesis
(see issues)
Personal Impressions
*****
The Learned Ladies, Molière : Friday, October 2, 2009 - Theatre 14 -
Directed by Arnaud Denis (in the role of Trissotin)
www.lescompagnonsdelachimere.com
Arnaud Denis plays the role of Trissotin 
He also played Scapin at Theatre in 2006-2007 Lucernaire
*****
An account of the encounter with Arnaud Denis Theatre of EABJM Friday, October 23 (Peter) The Misanthrope or splenetic love
PORTRAIT - The praise and blame (see . La Bruyère, Characters A survey of the subject's place in the history of communication and representation
Vocabulary: genre, register ; playwright, spectator, dialogue and stage directions (internal / external): rejoinder tirade monologue
*****
The Misanthrope or splenetic love
(1666)Sick disagree with Armande, Molière some time away Theatre to complete this comedy whose representation disconcerted the public greeted with more warmth but the farce of Doctor despite himself
(1666)With
The Misanthrope, the French comedy classic did his slow transformation of comedy intrigue, comedy character, even if The Misanthrope , unlike
Phaedrus (which offers the tragedy in a decade, offers the same type of mutation) is a series of scenes linked by a wire so that the tragedy remains under tradition provided with a real plot.
*****
The show "The big print"
November 12 was spent with Molière, among the guests, Denis Podalydès (and excerpts from the Representation The Miser at The French Comedy
)
You can inspire his portrayal of Scrooge in your hearing of comic scenes (the scene and add to your repertoire of misunderstanding: "the beautiful eyes of my tape" ... )
Can A Pessary Be Used For Anul Thrush?
November 2010: re-entry program in the first option Theater => THE COMEDY
C ow 's
hubris
The comedies of Molière, a "force field" of twists and turns ...
"The Contemplator"
BE PUBLISHED or?
TRUE-FALSE? ART-FIREWORKS?
www.tempoedialectique.blogspot.com
www.tempoedialectique.blogspot.com
C ow 's
hubris
occurs does in the comedies of Molière?
or
Forced marriages: the education of fathers and mothers
The changing relationship of dominant-dominated relation to the theater of the seventeenth century
in the eighteenth century
"I am the master, I mean Go, obey "
, in the eighteenth century
"I am the master, I mean Go, obey "
Molière, The School for Wives
" Castigat
ridendo mores "
1664 - the first 3 acts of Tartuffe
1665
1666 - The Misanthrope or splenetic love 1668 - Amphitryon; The Miser or school of lying
(comedy in five acts and in prose)
1669 Tartuffe
1669 - The Bourgeois Gentleman
1671 - The Scapin (stuffing with Italian)
1672 - The Learned Ladies
1673 - The Imaginary Invalid
"Castigat laughing mores"
(de devise à la Molière empruntée Commedia dell'arte )
I. The
"comic"
de Molière:
Les canevas et les personnages de la
"Comedy of A rte"
:
Games masking, dodging and Confrontation: deceit servants of comedies on the model of Harlequin ...
From comic farce to comedy of situation and character in the high comedy of manners and character of Molière:
Saganarelle of La Fleche and Scapin ... Dorine Martine ... How dominant-dominated relationship evolves does in the comedies of Molière?
Dorante ... Valere ... Trissotin ...
to
... Tartuffe ...
and ... Don Juan ...
?
II - The development of relations masters-servants the seventeenth to the eighteenth century:
seventeenth century: the report
-dominated dominating in the comedies of Molière
Dorine Tartuffe, Orgon in
Sganarelle Dom Juan Dom Juan in
Philaminte-Martine in The Learned Ladies
Scrooge-The Arrow (Valere, Master Jacques) in The Miser
Scapin-Geronte in The Scapin
Harlequin and his master's in theater of Marivaux Figaro and Count Almaviva in Beaumarchais's trilogy
Jacques the fatalist and his master , Diderot
Molière Comedies:
The Miser: I, 3 (cf. The Aulularia Plautus) Dom Juan
: II, 3The Learned Ladies
: comedy of manners in five acts and Alexandrian (especially on girls' education)I, 1 (Part 1: v.1 to 72, Part 2: until the end), I, 2 (v. 181: "You my triumph sister " at the end), I, 4; II, 3, II, 6 (Part 1: Start to 457: " Pis "
, 2nd part: in v. 458:" How the deuce, hussy " at the end);), II, 7 (from the beginning to 561: "But you made you into some strange behavior" ), III, 3 (c. 969 to the end, or v. 898: " Have you seen a little sonnet ...? "
)
The Misanthrope
:
I, 1; I, 2 (from about 376:
"Frankly, it's good to put the firm"
"To paint the people you are wonderful" , III, 1, III, 4 (cuts possible: to 893-904), IV, 3 (from about 1332: "Why disallow a ticket in my hand? "; possible cuts: c. 1381-1384, 1401-1409); last scene (Time: " Solitude terrifies the soul of a twenty years'
)
Molière, "The Contemplator"
INVENTION
"I am the master, I mean: go, obey" (Corneille, Sertorius , and Molière, L'Ecole women).
Imagine two theater stages, one comic and one tragic, which appear in this replica."Out of here just now, and we do not reply!"
"Change the outcome of most of the comedies of Molière and they become tragedies . " What do you think?
FILE: Sheet
authorSummary and dramatic pattern Sheet: comedy (slapstick farce : words, gestures , situation, character) Pages and anthology citations Analysis comedy catharsis and mimesis
(see issues)
Personal Impressions
*****
The Learned Ladies, Molière : Friday, October 2, 2009 - Theatre 14 -
Directed by Arnaud Denis (in the role of Trissotin)
www.lescompagnonsdelachimere.com
Arnaud Denis plays the role of Trissotin
He also played Scapin at Theatre in 2006-2007 Lucernaire
*****
An account of the encounter with Arnaud Denis Theatre of EABJM Friday, October 23 (Peter) The Misanthrope or splenetic love
PORTRAIT - The praise and blame (see . La Bruyère, Characters A survey of the subject's place in the history of communication and representation
Vocabulary: genre, register ; playwright, spectator, dialogue and stage directions (internal / external): rejoinder tirade monologue
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The Misanthrope or splenetic love
(1666)Sick disagree with Armande, Molière some time away Theatre to complete this comedy whose representation disconcerted the public greeted with more warmth but the farce of Doctor despite himself
(1666)With
The Misanthrope, the French comedy classic did his slow transformation of comedy intrigue, comedy character, even if The Misanthrope , unlike
Phaedrus (which offers the tragedy in a decade, offers the same type of mutation) is a series of scenes linked by a wire so that the tragedy remains under tradition provided with a real plot.
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The show "The big print"
November 12 was spent with Molière, among the guests, Denis Podalydès (and excerpts from the Representation The Miser at The French Comedy
)
You can inspire his portrayal of Scrooge in your hearing of comic scenes (the scene and add to your repertoire of misunderstanding: "the beautiful eyes of my tape" ... )
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