Sebastian Dupouey (Video) Nils Ostendorf (Music) Erich Schneider (Enlightenment), Bernd Stegemann (Drama) , Nina Wetzel (Set Designer) Nina Wetzel (Costumes)
duration: 2:25 of Lars Norén
dramaturgy: Bernd Stegemann
set design and costumes: Nina Wetzel
light:
Erich Schneider music: Nils Ostendorf staging Thomas Ostermeier German surtitles
Odeon Theatre
dramaturgy: Bernd Stegemann
set design and costumes: Nina Wetzel
light:
Video: Sebastien
Dupouey
with Lars Eidinger,
Hobmeier Brigitte, Eva
Meckbach, Tilman
Strauß.
Following an impediment , Brigitte Hobmeier will be replaced for two days on Thursday 9 and Friday, December 10 by Cathlene Gawlich. Brigitte Hobmeier provide other representations, either Friday 3, Saturday 4, Sunday 5, Tuesday 7, Wednesday 8 and Saturday, December 11.
show created March 2, 2010 in Berlin Schaubühne
"I'm so happy ... Let me cry"
Lars Noren Frank, 38, and Katarina, 36 years, love each other and can no longer bear. "Or I'll kill you or you kill me, or they separate or we continue like this. Choose! "As emotional seismographs, their bodies trembling as they s'effleurent, face the wall and furniture, ready to give rise to violence or the desire, sometimes both. That evening, when Frank finally returns, Katarina takes a shower. By reaching out to grab her robe, she dropped a glass, then the shelf under the mirror. The bathroom is soon littered with sharp splinters. Three years earlier, she had already broken the glass above the crisper in the fridge. Frank, who gives the old story about the rug out "may be forgotten but not forgiven." In a plastic bag that was placed in the entrance, an urn containing the ashes of his mother ... How hold this evening is just beginning?
By inviting downstairs neighbors - Jenna, who at the age of Katarina, and Tomas, who is a year younger than Frank - into bystanders, accomplices, victims or consenting horrified, a settling of accounts endless, hopeless, ever more incoherent and humor always darker as the alcohol permeates the minds ... Jenna, the mother if she leaves the conservative phone off the hook with his son sleeping a few floors down can not even suspecting - any more than the audience - to what extremes this derives from a night goes every lead: As the panic cruel games of seduction while a State of consciousness and unconsciousness merge to complete, we feel that dementia starts to appear under the intoxication, but it reveals, perhaps, beyond all transgressions, an astounding sincerity. With this new camera Nordic worthy successor to John Gabriel Borkman he was applauded at the Odeon in April 2009, Thomas Ostermeier continues its relentless exploration of the malaise of the couple. The action, located in a "city apartment" scrupulously returned by the artistic director of the Schaubühne takes place in the early 80s. Ostermeier gave a few contemporary touches on the basis of the modern game, very "Berlin" and its performers. A remarkable quartet of actors, acclaimed by the German press is divided in this striking poster set massacre vaudeville, a sort of remake of extreme Who's Afraid of Virginia Woolf?
(some winks are too explicit to leave room for doubt) the country of Strindberg and Bergman, composed by Lars Norén in 1983.
reading Demons
Lars Norén, French text by Louis-Charles Sirjacq in collaboration with Per Nygren, L'Arche, 1994
production Schaubühne Berlin http://www.theatre-contemporain.net/
With:
Lars Eidinger ,
Cathlene Gawlich Lars Eidinger ,
, Brigitte Hobmeier ,
Eva Meckbach
,
Tilman Strauß
Frank, 38, and Katarina, 36 years, love each other and can no longer bear. "Or I'll kill you or you kill me, or they separate or we continue like this. Choose! "As emotional seismographs, their bodies trembling as they s'effleurent, collide with walls and furniture, ready to give rise to violence or the desire, sometimes both. That evening, when Frank finally returns, Katarina takes a shower. By reaching out to grab her robe, she dropped a glass, then the shelf under the mirror. The bathroom is soon littered with sharp splinters. Three years earlier, she had already broken plate glass above the crisper in the fridge. Frank, who gives the old story about the rug out "may be forgotten but not forgiven." In a plastic bag that was placed in the entrance, an urn containing the ashes of his mother ... How to deal with this evening is just beginning? By inviting downstairs neighbors - Jenna, who at the age of Katarina, and Tomas, who is a year younger than Frank - into bystanders, accomplices, victims or consenting horrified, a settling of accounts endless hopeless, even more incoherent and humor always darker as the alcohol permeates the minds ... Jenna, the mother if she leaves the conservative phone off the hook with his son sleeping a few floors down, can not still doubt - no more than the audience - what an extreme this drift goes every night driving: as panicked the cruel games of seduction while a State of consciousness and unconsciousness merge to complete one feels that dementia starts to emerge as drunkenness, but it reveals, perhaps, beyond all transgressions, an astounding sincerity.
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