loved Why does he feel more alive?
Sunday, February 6, 2011
Russian Poem Of Mother
La Dispute, Marivaux-Directed by Vincent Dussart
La Dispute of
Vincent Dussart
(Modern Laundry in Paris until 11 February)
To determine which of the man or woman, is the leading infidel in love, Marivaux offers an experience. Four young men, reared in isolation from the cradle, will meet for the first time. Under the gaze of the Prince, and Hermiane public, they will experience the first love. Beyond loyalty, it's relationship to another question: what lies behind the feeling of love behind these familiar sensations of omnipotence or dependence ?
Why is it being loved to feel more alive?
beings, distracted by the desire to feel alive, trying to fill the other. Faced with this spectacle, Hermiane fly sees its certainties. Nothing remains of it except his role. It also can not play anymore ... *****
La Dispute
Hunger
Bernard Souviraa.
Company of Arcade has finally decided to present only La Dispute the Modern Parisian Laundry.
Bernard Souviraa.
Company of Arcade has finally decided to present only La Dispute the Modern Parisian Laundry.
" What a country! What Housing! I think I'm nothing in a large space "
(Egle)
(Egle)
To examine the subject of the dispute occurred between the Prince and Hermiane, "Who the man or woman has been unfaithful in the first love"
After this experience, Hermiane advances toward the audience. It does not tell the expected following monologue of the play by Marivaux: actress dissociated himself from his character. She has a body and she is hungry, she said she begged the audience: they do not let it alone. She dreams without believing in a merger where the issue of identity actress / character would disappear. Where hunger is filled, at last.
feeling to exist: this so wrong of course ... By bringing young high out of sight of others, Marivaux does not brush was the wild child, he created a device that involves human beings whose sense of self has been damaged by the isolation and awareness so disturbed. prey to a feeling of emptiness, teens
La Dispute
seeking to fill the other and the image of themselves and each other their returns. Construction without ego, they devour their reflection and are lost. The latter is multiplied in La Dispute : reflections in the river in the mirror, portrait ... But most importantly, reflections in the eyes of others, in the fantasy image of themselves that they are transmitted. La Dispute
Marivaux therefore questioned the construction of self through the relationship to another: what lies behind the feeling love? What show dependency relationships associated with it?
"I" and "game" ...
The staging and working with actors are to be felt this disorder of the ego, to give to see this sense of failure exist. Characters
La Dispute, all operate in the same way.
They first learn to say
"I". Then the meeting with the other ( "you" ) shook their self-determination, they can no longer define themselves, and say "on" . Finally they merged in
"we", and lose their
"I". This relational schema was born a gesture - a gesture is associated with "I" . Each character learns
"you"of "I"
the other - the "on" is an inability to move - the
"we"is a combination of both "I" . It follows an almost choreographic work born of the disorder itself, where the ballet meetings disturbs consciousness that everyone has of himself. suite for La Dispute Polyphemus, the Cyclops of the Odyssey
, loses its power when the wily Odysseus him die his one eye: was it by the look that was cannibalistic ogre? This cannibalism eyes that seems to be at work in La Dispute by Marivaux, and decidedly late work except in the career of its author. At the end of La Dispute, Hermiane says she has seen enough and do not wish to see more, it was originally so eager to find out what the Prince had to show him. Such as books, Marivaux shows us that devour, with the peculiarity that they can return to devour us - to haunt us. That's the experience that Hermiane faces, and with it the viewer, since all their looks deteriorate here. What Does exactly saw Hermiane? Without doubt the insatiable desire endangering the idea of courtly love and perfect complementary. And linguistic virtuosity of Marivaux being shot in midair before ripping this observation: the people captured in their essence live rage of desire and love them untouched. Poor Hermiane that - too late - would not see ... Unless ...
Vincent Dussart, over an afternoon of confidences, I was asked to write an essay on emptiness, an epilogue for Contemporary
La Dispute. He asked me to vacuum, I gave her greed, that is to say, hunger. Not the state but the frantic need. He then appeared to me that the only way to confront the absurdity of writing a text
"next"that of Marivaux was to bring Hermiane the edge of the plate so that it remains there, it dissolves more precisely and there appears to the naked actress who performs it, why this text is specifically written. The actress and the text of today extend powerless - powerless but hungry - this meteoric trace left by Marivaux, this wildfire directed by Vincent Dussart.
Bernard SouviraaLa Dispute
/ Hunger was presented at Soissons mail to December 17, 2010.
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