Sunday, October 31, 2010
Median Bmi Of Countries
Arnaud Denis sets scene
What happens and what is expected of
In Niels role he played in the Little Theatre Montparnasse, with Virginie Pradal and Jean-Pierre Leroux
In "What is happening and what is expected," Jean-Marie Besset us into a kind of purgatory: a firm minitériel. A commission must decide who will be the first architect to build a monument on the moon. It is good to get the moon.
They hope, give up, compete. They relate to what makes them live: Waiting. Expectation of the other, waiting for the social and professional success, waiting for death.
Rarely what is expected. "
Between ambitions exasperated the social game, betrayal in love and get back in the game, we spend much of our lives in hollow time: the moments of waiting.
"I am committed to make men and women at such moments: between two doors, two beings in situations of expectancy, provisional, therefore unbalanced. Between heaven and hell Religion has invented purgatory. "
Jean-Marie Besset
*****
"There are words which we think, necessarily" ...
impulsive
COINCIDENCE
SUSCEPTIBILITY
AMBITION
TRUNK-L'ŒIL
liberties / privacy
Words and Expressions:
| | And
"Everyone is prey to baroque, is decorative, it speaks of nothing, is the ideal"
"People feel you work: it worries them. "
"With all the mysteries, I ended up feeling guilty."
"Everybody takes all evil today!"
*****
Pariscope Theatre
from 25/08/2010 to 01/11/2010
Criticism of writing
was expected that the young director Denis Arnaud finally takes a modern text. What happens then with this piece of Jean-Marie Besset. Before the beautiful evolution of writing from the author, we can say that this is an early work that already has what will make his style: a study chiseled and delicate human relations. Besset seems more attracted to the dark side, and wondered about the human soul, its wounds, its cracks ... The fact remains that all his characters are running after happiness, but strive to miss. But are they strong enough, talented, happy to see at least see it? A ministerial committee has to decide which architect will build the first monument on the moon. The moon, ultimately is what is expected of all able to do one day and never get there! We're on a playground social game of love, and obviously the game of chance. Philippe Derrien is a young architect, still dreaming of purity and got bogged down in contradictions. Adrien Melin is perfect in this role he is vulnerable, doubting that life has become. A man is a satellite around which the stars, meteors, black holes ... Strong characters who rock the world of the young man. Jean-Pierre Leroux lot of fun in this "new" job architect on the decline. Virginie Pradal put their heart and joy in this darkly role of women domineering and unscrupulous. Jonathan Max Bernard is fragile man rediscovering his childhood sweetheart and expecting more than death. Leleu is bright white in loving wife and unhappy. Arnaud Denis is rejoicing in cynical and decadent dandy. Based on a superb set design, decorations and lights Laug Edward Lawrence Beal, Arnaud Denis sign a good show. What was expected!
Marie-Céline Nivière
*****
The Learned Ladies, Molière
: Friday, October 2, 2009 - Theatre 14 -
Directed by Arnaud Denis (in the role of Trissotin)
Arnaud Denis plays the role of Trissotin
Scapinat Theatre in 2006-2007 Lucernaire
*****
A report of the meeting with Arnaud Denis Theatre of EABJM Friday, October 23, 2009: Taking notes from Peter (2of 4) Online soon a supplement to this report ...
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Arnaud Denis
Visit the EABJM
Being an actor
" is not bored," but it "more difficult than being a violinist "
Course
Internship at the French Comedy
course with Jean-Laurent Cochet (2 years), founded his company "Chimera", studied at the Conservatoire National while he prepared his first play, The Scapin has done internships in the U.S.
Think practice is essential, almost better than the theory / courses because it is necessary to understand the public.
Finds that "it is very difficult," the border between comedy / tragedy.
Prefers to play the classics and contemporary plays
"classics is great anyway,"
" it's easier to play a piece that eludes us, we must save a piece "
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Prefers parts" overwhelming truth and confrontation with the pace "
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Note that most contemporary pieces that are sent him seem" null ".
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wears dark glasses in the subway , "because" [he] likes to watch people without their knowledge "and it draws people he meets.
characters we continually enrich
"
Trissotin Why?
1) will explore the "dark [him]"
2) sth again
3) it is rarely played by young
For Arnaud Denis Trissotin is the "type Rastignac", "a dandy who takes advantage of people"
When you read / watch / play room must be found
"objectives", "engines" of each character
Mirror
: provides a "dual field" back and face, "a reflection of life," but it is tilted, the public can not see it.
Why Women Learned ?
1) We must "love what comes up"
2) worms Molière facilitate the dynamics of the conversation
3) is always modern concepts
4) Denis wanted to incorporate his master, Cochet, in one of his pieces (= Philaminte)
5) balanced distribution of roles for his company
Philaminte = John Laurent Cochet
Jean-Laurent Cochet has an interesting voice: he does not need to raise their voices to be heard (like Meryl Streep in The Devil Wears Prada
) Philaminte is a woman " male.
Directed
Did not need the "NEW" staging with period clothing, is already the new
Find the entries in stage and output stage are the parts most difficult to achieve (+ anecdote of how the actors shed their nervousness)
"the stage is a way"
anecdote: giggles on stage
16h30-18h, Friday, October 23, 2009
*****
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Online soon complement this account Minutes ...
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to complete your search for an aesthetic and an ethic "generational" -
in the novel group of students from the EABJM:
-
http://tempoeroman.blogspot.com
Art and the high school student in her hometown, her school, her travels
Qu 'Is that a "beautiful person"
?
What (s) success (s) for tomorrow?
behalf of what values?
A survey
"generational" on the subject's place in the history of communication and representation
He also played
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