November 2010: re-entry program in the first option Theater => THE COMEDY

The comedies of Molière, a "force field" of twists and turns ...
"The Contemplator"

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C ow 's
hubris

The changing relationship of dominant-dominated relation to the theater of the seventeenth century
in the eighteenth century





"I am the master, I mean Go, obey "

,

Molière, The School for Wives

" Castigat
ridendo mores "

1664 - the first 3 acts of Tartuffe

1665 

Dom Juan

1666 - The Misanthrope or splenetic love 1668 - Amphitryon; The Miser or school of lying

(comedy in five acts and in prose)

1669  Tartuffe

1669 - The Bourgeois Gentleman

1671 - The Scapin (stuffing with Italian)

1672 - The Learned Ladies

1673 - The Imaginary Invalid

"Castigat laughing mores"
(de devise à la Molière empruntée Commedia dell'arte )

I. The

"comic"

de Molière:

Les canevas et les personnages de la
"Comedy of A rte"

:

Games masking, dodging and Confrontation: deceit servants of comedies on the model of Harlequin ...

From comic farce to comedy of situation and character in the high comedy of manners and character of Molière:

Saganarelle of La Fleche and Scapin ... Dorine Martine ... How dominant-dominated relationship evolves does in the comedies of Molière?

Dorante ... Valere ... Trissotin ...
to

... Tartuffe ...

and ... Don Juan ...

?

II - The development of relations masters-servants the seventeenth to the eighteenth century:

seventeenth century: the report
-dominated dominating in the comedies of Molière

Dorine Tartuffe, Orgon in

Sganarelle Dom Juan Dom Juan in

Philaminte-Martine in The Learned Ladies

Scrooge-The Arrow (Valere, Master Jacques) in The Miser

Scapin-Geronte in The Scapin

eighteenth century

Harlequin and his master's in theater of Marivaux Figaro and Count Almaviva in Beaumarchais's trilogy

Jacques the fatalist and his master , Diderot

Molière Comedies:

The Miser: I, 3 (cf. The Aulularia Plautus) Dom Juan

: II, 3

The Learned Ladies

: comedy of manners in five acts and Alexandrian (especially on girls' education)

I, 1 (Part 1: v.1 to 72, Part 2: until the end), I, 2 (v. 181: "You my triumph sister " at the end), I, 4; II, 3, II, 6 (Part 1: Start to 457: " Pis "

, 2nd part: in v. 458:

" How the deuce, hussy " at the end);), II, 7 (from the beginning to 561: "But you made you into some strange behavior" ), III, 3 (c. 969 to the end, or v. 898: " Have you seen a little sonnet ...? "
)

The Misanthrope

:

I, 1; I, 2 (from about 376:
"Frankly, it's good to put the firm"

; II 1, II, 4 (from about 650:

"To paint the people you are wonderful" , III, 1, III, 4 (cuts possible: to 893-904), IV, 3 (from about 1332: "Why disallow a ticket in my hand? "; possible cuts: c. 1381-1384, 1401-1409); last scene (Time: " Solitude terrifies the soul of a twenty years'
)

Molière, "The Contemplator"

INVENTION

"I am the master, I mean: go, obey" (Corneille, Sertorius , and Molière, L'Ecole women).

Imagine two theater stages, one comic and one tragic, which appear in this replica.

"Out of here just now, and we do not reply!"

The comic character: the high comedy of manners and character

"Change the outcome of most of the comedies of Molière and they become tragedies . " What do you think?

FILE: Sheet

author

Summary and dramatic pattern Sheet: comedy (slapstick farce : words, gestures , situation, character) Pages and anthology citations Analysis comedy catharsis and mimesis

(see issues)

Personal Impressions

*****

The Learned Ladies, Molière : Friday, October 2, 2009 - Theatre 14 -

Directed by Arnaud Denis (in the role of Trissotin)

www.lescompagnonsdelachimere.com

Arnaud Denis plays the role of Trissotin

He also played Scapin at Theatre in 2006-2007 Lucernaire

*****

An account of the encounter with Arnaud Denis Theatre of EABJM Friday, October 23 (Peter) The Misanthrope or splenetic love

PORTRAIT - The praise and blame (see . La Bruyère, Characters

: excess and middle)

A survey of the subject's place in the history of communication and representation

Vocabulary: genre, register ; playwright, spectator, dialogue and stage directions (internal / external): rejoinder tirade monologue

*****

The Misanthrope or splenetic love

(1666)

Sick disagree with Armande, Molière some time away Theatre to complete this comedy whose representation disconcerted the public greeted with more warmth but the farce of Doctor despite himself

(1666)

With

The Misanthrope, the French comedy classic did his slow transformation of comedy intrigue, comedy character, even if

The Misanthrope , unlike
Phaedrus (which offers the tragedy in a decade, offers the same type of mutation) is a series of scenes linked by a wire so that the tragedy remains under tradition provided with a real plot.

*****

The show "The big print"

November 12 was spent with Molière, among the guests, Denis Podalydès (and excerpts from the Representation The Miser at The French Comedy

)

You can inspire his portrayal of Scrooge in your hearing of comic scenes (the scene and add to your repertoire of misunderstanding: "the beautiful eyes of my tape" ... )

http://www.france5.fr/la-grande-librairie/index.php?page=article&numsite=1403&id_article=14132&id_rubrique=1406